One Table Language
Across sixty or eighty tables, a single language repeated precisely reads as controlled. Variation reads as a budget that ran out. It is also cheaper, which rarely happens.
Edensor Park
Eden Venues
Eden Venues at Edensor Park runs three function rooms of increasing scale, with the largest carrying guest counts most stylists never work at. At that size the styling problems change from aesthetic to logistical.
Wedding styling from $5,000. Large guest counts are quoted on the room and the scope.
The Space
Three rooms, and the largest changes everything.
- Garden of Eden
- is the smallest of the three, carrying somewhere in the range of a hundred and twenty to several hundred guests, with a private courtyard attached. The courtyard is the feature and it is worth styling rather than treating as an overflow.
- Nineveh Ballroom
- sits in the middle, carrying into the five hundreds, with LED lighting built into the room. Built in colour lighting is useful and it is also a constraint: whatever colour the room is washed in will affect every linen, floral and metallic finish in it, so the palette and the lighting get decided together rather than separately.
- Grand Edessa
- is the largest, running toward nine hundred guests with high ceilings and chandeliers. This is a genuinely big room, and it is the reason a lot of large Sydney weddings end up here.
- At this scale, logistics is the design
- Sixty to eighty tables is a different job to twenty. The install has to be planned as an operation with crew numbers and a sequence, not as a longer version of a small install. A styling idea that takes four minutes per table costs five hours across the room.
- Consistency is what reads as expensive
- Across that many tables, one well executed language repeated precisely looks controlled and considered. Variation looks like the budget ran out partway through. It is also the cheaper option, which is a rare alignment.
- High ceilings need height
- In the Grand Edessa in particular, anything specified at normal scale disappears. Height in the centrepieces, generous backdrop proportions and use of the vertical space is what stops a large room flattening the styling.
Styling Notes
What Shabz plans for at this venue.
Shabz has styled events at this venue. This page describes that experience and what the space asks of a stylist. It does not describe any formal relationship with the venue, and Shabz is not presented as a preferred, approved or recommended supplier. Room details and inclusions were correct at the time of writing and should be confirmed with the venue directly.
- Large cultural weddings
- The guest counts here suit Afghan, Lebanese and Indian weddings, all of which centre on an entrance and a stage. Both are planned before the tables.
- The stage or couple seating
- In a room of this size the couple must remain visible from the back, which usually means elevation and deliberate lighting rather than a bridal table on the floor. More on stage design.
- Working with the built in LED
- Where a room has its own colour lighting, the styling palette is chosen with it. A warm floral scheme under a cool wash reads as a mistake in every photograph, and it is completely avoidable by deciding both at once.
- Bump in
- A room this size needs a real install window and a crew sized for it. That is negotiated with venue operations early, because there is no way to compress an eighty table install into a short window without more people.
What Works Here
At this scale, discipline beats ambition.
Build Height
High ceilings swallow normally scaled pieces. Height in the centrepieces and generous backdrop proportions are what keep the styling visible in a very large room.
Palette With the Lighting
Where the room has built in colour lighting, the palette and the lighting are chosen together. A warm scheme under a cool wash looks like an error in every photograph.
Plan the Install as an Operation
An eighty table install is a sequence with crew numbers, not a longer version of a small one. A method that costs four minutes a table costs five hours across the room.
Common Questions
Yes. This page describes that experience and what the rooms ask of a stylist. It does not describe any formal relationship with the venue, and Shabz is not a preferred, approved or recommended supplier there.
Yes. At that scale the work shifts from aesthetic to operational: crew numbers, install sequence and a consistent table language that can be executed precisely across the whole room within the bump in window.
Significantly. Whatever colour the room is washed in affects every linen, floral and metallic finish in it. The palette and the lighting are decided together at the design stage rather than separately.
It is worth it. Where a room has a private courtyard it handles pre dinner drinks, gives guests somewhere to go during a long reception and photographs well at dusk. It is one of the most commonly overlooked spaces at any venue.
Yes, and at this scale both are planned before the tables. The processional route, the ceiling clearance, any effects permissions and the stage position are settled first, then the floor plan is built around them.
Let's Create Something Beautiful
Tell Shabz about your event and a considered response follows within 24 to 48 hours.
Prefer to talk it through?
02 9191 7381